Friday, June 15, 2012

Music Notes: nairboman - Here We Go...

Recently, I just self-released my first music album, which I am very proud of. It is called Here We Go... and is available on CDbaby, Itunes, and Amazon. It is in the genre of Electronic Dance Music and covers a wide variety of styles within that genre. I grew up loving the ideas and sounds I heard in contemporary electronic dance music. Music is, after all is said and done, the art of sounds and that is what electronic music realizes and celebrates. Electronic Music is also relatively free of the sometimes cumbersome structures imposed on more conventional types of music, which makes it all the more exiting. My album, though, is very accessible and extremely dance oriented. It is perfect for parties, clubs, and home listening. The following are the songs on it and my short descriptions of them. You can buy the individual songs or the whole album by clicking on the links to them on the blog sidebar or scrolling down all the way to the bottom of the blog to my music store. Thanks. :)

1. Acid Trax - I wanted to make the leadoff track very compelling and think I succeeded. Featuring a classic acid house bass line, if this song doesn't get you dancing or your head bobbing, nothing will.

2. Here We Go -  Mixing classic rock style piano and an electronic beat and percussion(with some judiciously placed oscillations)shouldn't necessarily work, but absolutely does and is the most popular track that I feature on Youtube. Easily as danceable and even more emotional than Acid Trax.

3. Predestination - This is a stately, ominous ambient track with a burbling bassline and some old fashioned record hiss at the end for added effect. If you like film noir or trip-hop or relaxed and sophisticated, this should do the trick.

4. Get Freaky - Fun would be the best way to describe this track. Full of 80's and 90's style hip-hop record scratches and turntablism, this track works simultaneously as a cut-up pastiche, experimental instrumental hip hop and one of the most intensely danceable tracks on the album.

5. Walk the Dinosaur - Based around a fuzzy bass line and insistent strings and cinematic in scope, this should appeal to people who love film soundtrack music and trancy sounds.

6. Evilsmell - Humorous and experimental, but grounded in pure groove, this track should appeal to people who like Frank Zappa and/or Parliament/Funkadelic.

7. Everybody... - Eminently danceable, this is kind of a collision of disco and IDM(intelligent dance music). With bits of my eccentric humor and variety thrown it for good measure, this should get you moving.

8. Remembrance of Things Past - Emotional and very danceable, this one will make you both nostalgic and tapping your feet.

9. Etherea - Different from any of the other tracks, this one is a mix of women's choir like voices. No beats or even instrumental or electronic sounds  to be found here.  This should appeal to both fans of relaxing ambient and classical music.

10. Melancholy Bliss - A bittersweet piano driven dirge with electronic flourishes, this song will appeal to those in the mood for reflection and contemplation.

11. C'mon Ladies - The most purely experimental piece on the album, this track features nothing like dance music and is based on  found sound (musique concrete) and artificially produced sound (electronic/computer music) mixed together for maximum interest and impact. If you love experimental music, you will love this track.

12. Jaunty Palms - Jazzy keyboard and exciting rhythms make this one immediately accessible and fun. Bouncy and irresistible, with some nice surprises thrown in for good measure.

13. Surfing on Wav(e)s - This is a pure trance track full of burbling synths and a compelling forward momentum. Accordingly, its perfect for the dance floor or your headphones.

14. Nightcity - Also quite different than the rest of the album, this one might be called downtown ambient. Like taking a relaxing walk or drive through the hot city at night, you can almost feel the sweat dripping off your body with this one.

15. Dub Africa - Combining African rhythms with a dub aesthetic, this track is also very original in terms of the album. Danceable and involving, especially for fans of African and Dub music.

16. Dance Macabre - Another album anomaly, this track is a cinematic horror genre pastiche of sounds, complete with wind and low droning electronic sounds in the background. Perfect for Halloween or a Horror genre buff.

17. Marnobina - Synthpop heaven. Full of synths flowing back and forth and in and out of each other, with dance rhythms to back it all up. If good vibes and/or nouveau disco is your thing, you'll love this.

18.  Evocation - Subtly creepy, with a hint of sinister, this ominous soundscape is pretty danceable too, but just as at home on your headphones.

19. Undul - Experimental and groovy. Based around static and other similar electronic sounds, it nevertheless is one of the most rhythmically compelling tracks on the album. If you like your grooves original sounding, step no further.

20. Swell - Explicitly synth oriented ambient that eventually morphs into something very different while retaining the original flow, this track ends the album on an epic, appropriate note.



   


Friday, June 8, 2012

Movie Review - Persona (1966)


10/10 Persona, -one of the the great film works of all time, by the one of the greatest directors of all time, Ingmar Bergman,-  is, by turns, abstract, emotional, intense, cerebral, powerful, and disquieting. It challenges our very perceptions of what film art is, can, and should be. To pin one meaning down to this film would be like trying to solve a rubiks cube in one turn. Ostensibly, it involves a young nurse taking care of an actress who has decided to be mute. This movie isn't about plot, because it is about things much more important, namely character and ideas. At first the actress seems strange and abnormal, but as the film progresses, we see that the nurse is as emotionally unstable as the actress, perhaps more. In the very beginning and during the final third of the film, we are treated to a series of deceptively random images and scenes that are aesthetically, intellectually, and emotionally involving. Some of the many themes explored in the film include identity, loneliness, sexuality, envy, jealousy, the meaning and function of art and artists, and the eternal question of how to cope with living in a brutal, unfair world. It is one of the most brilliant philosophical films of all time, yet the sexual themes and emotionalism make it far more than just a cerebral exercise. If you are a serious film fan or interested in the themes I have mentioned, you owe it to yourself to see this film, because in doing so, you will reap the rewards of truly great art. Essential!

Music Review: The White Stripes - Elephant (2003)


The White Stripes were one of the most important "millennial" bands and Elephant is one of the most important albums of the last decade, because it synthesizes the old and new into something fresh, original, and entirely compelling. The White Stripes defining statement, Elephant, does something that comparatively few modern albums even attempt to do and that is to make a cohesive statement over the course of an LP. As mp3s (and the loss of audio quality and attention spans that go with them) take over the listening market, its refreshing and even startling to hear artists who put their all into every song on their albums, instead of just a few highlights surrounded by filler. That, of course, does nothing to explain the eccentric, yet accessible experience of "Elephant". Stripped down to the barest essentials of guitar, drums, and occasional piano, traversing through the Americana genres of rock, country, folk, blues, metal, and punk, and featuring lyrics equally divided between bravado and doubt, and full of folksy, yet literate word associations, "Elephant" almost gives the impression of what punk-metal made in the rural south in the earlier part of the twentieth century might have sounded like, if it had ever existed. "Seven Nation Army" was the popular single, but every song on here is a treasure. The ever dependable Burt Bacharach gets the WS treatment on "I Just Don't Know What To Do With Myself" to earnert and humorous effect. Meg White gets lead vocal duties on "In the Cold, Cold Night" and the final song "Well It's True That We Love One Another", sung by three different people, ends the album on a hilarious, fun note. The White Stripes have earned their place in popular music history and if any one album will convince you of that fact, it's "Elephant".

Sunday, May 20, 2012

Here We Go...

The time has finally arrived. I have waited for this moment for at least 15 years and here it is, so Here We Go...which just happens to be the title of the album I am so excited about releasing. I have been an electronic musician since my 20s, but I have finally reached the point where I am ready to try my hand at a professional career at it. I think my debut double album Here We Go... showcases the breadth and depth of electronic music styles I love and produce, from straight ahead Dance to Acid Techno to Ambient to Experimental Hip Hop to Ethereal Choir Arrangement to Dirge to Experimental to Trance to Dub to Techno to IDM. My intent with my debut album is to mix these various styles into an organic whole listening experience that adds up to a unique vision all its own. Included above is my most popular video on Youtube, to the title track of the album. With all of the styles I use, I can almost guarantee that you will like some of the tracks and if you are an electronica, electronic dance, and/or IDM (intelligent dance music) fan, I think there's a good chance you may dig the whole album. To hear samples and purchase my album or songs from the album, go to nairboman's Here We Go... on CDbaby ($9.99 album, $1 for songs) or nairboman's Here We Go... on Itunes ($19.99 album, $1 for songs). Thank you.

Saturday, May 5, 2012

Move Review: The Avengers(2012)

9.0/10 Is The Avengers everything you could hope for after seeing the lead-in films? Yes, most definitely. The last third or so of the movie is wall to wall action, but that isn't what makes it such an awesome experience. It's in watching the characters learn about, grow to tolerate, and eventually even respect each other for their differences. In other words, this may be the most expensive dysfunctional family movie ever made. Returning from the lead-in films are Iron Man, The Incredible Hulk, Thor, Captain America, Black Widow, and Hawkeye. Filling out the lead roles are Nick Fury, director of S.H.I.E.L.D. and Thor's currently much more menacing and psychotic brother Loki, the central villain. Joss Whedon was the perfect choice for director, not only delivering on the epic promise inherent in an Avengers film, but adding his own unique gifts in character development and interaction, as well as his jocular, absurdist sense of humor. The plot here, the standard bad guy arrives and threatens the earth, conflict ensues, and the heroes go into epic battle formula, is far less important than where it takes these characters. By the end, not only has each superhero character changed -if only a little in some cases- from the beginning of the film, but the films classic theme -learning to work together- has embedded itself as an all-important statement. These people -isolated, flawed, and egotistical- have learned that no one is an island, especially those who offer themselves up as saviors. Don't get me wrong, if you want your explosions, battles, and wall to wall visual effects, then, yes, you will be highly entertained, even awed, but the most surprising and rewarding thing about The Avengers is its humanity.

Friday, May 4, 2012

Music Review: Massive Attack - Blue Lines(1991)

Massive Attack released this masterpiece back in 1991. At that time, no one had heard music quite like it: combining electronica, hip-hop, soul, reggae and dub is something that seems obvious now, but  the resulting stew was so startlingly fresh that the press gave it a new name. Trip-hop. Since then, many artists have tried their hand at it, but none have succeeded artistically as well as Massive Attack did on this album. Perhaps part of the reason for this is that these producers from Bristol, England weren't really trying to invent a new genre so much as simply make music they liked.  There are three timeless anthems on this album, "Safe From Harm", "Unfinished Sympathy", and "Hymn of the Big Wheel", but it's "Unfinished Sympathy" that continues to capture the hearts of first-time listeners more than any other track in the MA canon. Grandiose, bittersweet, and romantically yearning, its one of those tracks that instantly grabs you and doesn't let go. In between the three highlights, the remaining tracks provide one pleasure after another, featuring various vocalists and rappers, the most famous being Tricky, who became an exceptional solo artist following this release. "Blue Lines" remains an essential purchase, demonstrating that music can take on the heft of combining many different genres and still be uniquely expressive and singular. Massive Attack may not have made another album quite this brilliant, but even if they never do, they will always be remembered for this extraordinary work, sounding as fresh today as it did twenty years ago.

nairboman's insights #6 - Almost Here (We Go...)

I am planning on publishing my Electronic Music debut double album Here We Go... on CDbaby next week and they will also send it to Itunes, Amazon, and many other outlets. After that for a week or two, I will undoubtedly do a lot of internet and local marketing for it, but following that, as I have stated before, I will put just as much time and effort into finding help from within the music business itself as I do self-marketing, particularly from a manager and/or record company, as I find the more marketing I do, the less I like it, really. If it were feasible for me to remain an independent musician without management, I would. Unfortunately, that would mean having a full time job marketing myself and that isn't necessarily my idea of a good time and what's the point of working at a job for very long, if you aren't enjoying yourself. I would end up spending much more time selling my music than actually making it. Having a manager and/or record company would free up my time and relieve some stress. Of course, I do know that choosing a manager and/or record company is serious business. You don't just sign the first contract presented you, however enthusiastic you might be to. It's still a business and with contracts at least, you most definitely have to treat it as such. I would assume the first thing to do is to make sure they actually like your music and not simply want to use it only for profit. Secondly, I would want near-full control over what I choose to do with my "image" and my music. I will always want an "image" that reflects the real me, namely a combination of eccentricity, humor, and individualism, with touches of gentleness and playfulness. Also, I wouldn't want anyone to ever tell me what kind of music to make. Advice is one thing, demands quite another. And I don't wanna be treated like a slave. I will do or not do what I want, regardless of what they would like. If I sign a contract and fully understand the contract, I will abide by it, but If I feel like I am ever being used unfairly (ie deceived or lied to), I might just break a contract, even if it loses me money. I have no ambitions to be rich but if it happens, I will be giving a lot away to less fortunate people. I am in this mostly for the art. If somebody wants to help me with the business side of it, I would be very grateful and appreciative. But that does not mean submissive. :)

Sunday, April 29, 2012

I Gotta Be Me #3 - Thoughts on Cinema

Have you ever taken a look at a list of the top ten movies at the current box office? If you have and you consider movies an art form rather than disposable entertainment, you must feel as disheartened as I do sometimes about the state of our culture. I would say on average that maybe 3 or 4 of the top 10 movies are actually worth paying money to see at the theater, for those of us who actually care about movies. The rest are usually either big, dumb action movies, romances built almost entirely on treacle, or comedies that seem to cater to undiscriminating 12 year olds, yet are marketed to adults. Rare are the films that are actually challenging, original, intelligent, with memorable stories and interesting characters. A few years ago, I actually overheard a couple of teenage girls lauding the classic film Citizen Kane at my local library. Maybe we yet have hope. Last week, on the blog, I wrote that I would only review contemporary films from now on. I have changed my mind and have decided that if I so choose to, I will review films from any and all eras, and any and all genres. I watch movies from all eras and genres, so I see no good reason to pretend that I watch contemporary films only, certainly not because I might gain more readers(yet lose myself in the process). I watch a lot of contemporary films, but I also love old black and white films, foreign films, silent films, and documentaries. Cinema is one of the great modern art forms:  less subtle and intellectually absorbing than literature, but perhaps even more empathetic and humanistic in its immediacy. To take the potentials of the art form and devolve it into entertainment to be watched today and forgotten tomorrow is to throw part of our cultural heritage into a wastebasket. If you love cinema like I do, avoid bad, even mediocre movies like the plague, because culturally, that's what they are.

Saturday, April 28, 2012

I Gotta Be Me #2 - Thoughts on Music

Last week, I said I had decided to review only Electronic Music albums, mainly for marketing purposes, but  after trying that and some serious consideration, I have decided that it just doesn't feel right. It almost feels like selling out, in a way. I have no problems selling my music, as long as it done with honesty and integrity, but trying to pretend I only listen to Electronic Music simply because it is the genre I produce music in just doesn't seem ethical to me. I love all kinds of music and I want to express that fact in my reviews. By only reviewing Electronic Music, I actually may have eventually ended up with more readers that listen almost exclusively to that genre, but they would be very little like me, even though I am a thoroughly dedicated Electronic Musician. In my music writing, I want to impress on people the importance of loving music itself as an art form and not to get too caught up in the wobbly dynamics of genre. If anything, I want to encourage music listeners to keep as  open a mind  as possible, not only in terms of genre, but with many other aspects of music that mainstream music listeners often get hung up on, such as popularity, era, length, and instrumental music. From now on, my reviews will consist of music that I like, regardless of genre or any other generalized concepts. Music is one of the most mysterious, magical, invigorating, types of art there is. To limit its importance by only listening to mainly one genre or only what you hear played on the radio or TV is not only doing yourself a disservice, but the culture at large. Music is the sound of humanity and humanity comes in many different styles and flavors. Enjoy as many of them as you can.

Friday, April 27, 2012

nairboman's insights #5 - I Gotta Be Me

It has been a tumultuous time lately. As time draws near to when I release my music for the first time publicly next month on CDbaby, Itunes, and Amazon, I have noticed myself slipping a little bit in the discipline department. I have spent a little less time marketing and a little bit more time ruminating. The truth is that I am not very fond of sitting in front of a computer hours on end trying to convince people to listen to and invest in my music. It's not that I don't think my music isn't worth it: I definitely do. In fact, I have such faith in the quality of my music that I am convinced that there is a good-size audience out there for it made up of people who are genuinely interested in music that seeks to be innovative. It's the fact that as an artist, I'm no businessman and have very little desire to be. Then again, I always kinda knew when the time came that my focus would turn to getting help from folks in my industry, rather than trying to figure out the ins and outs of marketing all by myself and from a few websites and books. The truth is that after my music is published next month, I will put a considerable amount of effort into trying to procure the services of a manager and a record company, preferably an independent one. Also, I want to contact as many local, state, national, and international similar artists, DJ's, radio stations(online and off), podcasters, journalists, and bloggers that can help. It's a big, wide world out there and spending six hours a day pasted in front of a computer screen posting stuff on social networks is not how I wanna spend most of my working time anymore, out of necessity for both my career and my sanity. I realize that I need to spend time marketing online as an independent artist, but my priorities have to shift a little to fit my needs and personality. I would also like to start playing live this summer from a laptop. The music I am releasing is perfect for clubs and events. Not to mention local marketing - I have a bunch of ideas for that: business cards, bumper stickers, playing my music from a boom box in public places, flyers, free sample CD's. I even have an idea for a sign in my front yard. Wish me luck, everyone. nairboman marketing Phase 2. My Band Profile

Saturday, April 21, 2012

Movie Review: The Marvel Cinematic Universe

The Marvel Cinematic Universe is the universe shared by 6 films(so far) about superheroes produced by the comic book/film company Marvel. 5 films have led up to the highly anticipated film The Avengers, which brings together characters from the previous five films to form a superhero team(to be released May 4). I will give capsule reviews of the five films here.

9.0/10 Iron Man - Iron Man, the first and best of the MCU films so far has such interesting themes and  compelling character development that is nearly transcends the superhero genre itself. It concerns Tony Stark(Robert Downey Jr.) a wealthy weapons industrialist who has a change of heart after having his own weapons used against him. While being held captive, he builds a technological suit of metal armor that enables him to fight and defeat his captors singlehandidly. Eventually, he improves the armor and becomes the superhero Iron Man, soon fighting people (one in particular) in his own company that would use his new  technology for greed and violence. Not quite a masterpiece, but not far from it. This is the one that The Avengers has to equal or surpass to be highly respected.

6.5/10 The Incredible Hulk - Marvel has yet to make a really good Hulk movie. Perhaps its simply because they have had him being chased by the military throughout the last two, including this one. We want to see the Hulk as a hero, not on the run all the time. Bruce Banner (Edward Norton) spends the movie running from a government who would selfishly take and use the source of the power that turns him into a giant green smashaholic, until the very end when he gets to have an admittedly impressive lengthy battle with his arch nemesis The Abomination. Fairly entertaining, but this is far in quality from Iron Man.

7.0/10 Iron Man 2 - Iron Man 2 lacks the depth and originality of the first film, but it is at least a slight improvement over The Incredible Hulk. This time Stark (with a little help from fellow superhero War Machine) must defend himself from the revenge driven Whiplash (plus some nasty robots), who is certainly a match for our intrepid hero. This movie is pretty much a basic superhero movie that benefits greatly from Downey's still potent performance of the arrogant philanthropist.

7.5/10 Thor - Things get even better with Thor. This film is loosely based on Norse mythology, Thor being the god of thunder. Thor (Chris Hemsworth) develops a particularly captivating character arc in which his character is transformed from an arrogant warrior into an empathetic humanist, even after he finds out his lonely, jealous brother Loki would like nothing better than to kill him and take over their kingdom Asgard. The romantic angle is par for the course, but this is solidly entertaining stuff.

7.5/10 Captain America: The First Avenger - CA is a similarly solid entertainment experience. Steve Rogers (Chris Evans) is a scrawny weakling during the World War 2 era who wants nothing more than to fight for his country. He gets his chance with a serum that makes him into the super soldier hero known as Captain America. While dispatching the nazis, he learns about the nefarious plans of the Red Skull and has to confront and stop him. Good stuff.

Marvel has done an unprecedented job of making all of the pre-Avengers flicks good films, leading up to the Joss Whedon directed The Avengers. I will review The Avengers after I see it, hopefully next month.


Friday, April 20, 2012

Music Review: Autechre - Incunabula(1993)

The debut album of one of the most important Electronic music artists of the past generation, Autechre, Incunabula is more of a collection of early works than a proper album, but because the style is relatively the same throughout the works, it makes perfect sense listened to as an organic album. Autechere are a remarkable duo of electronic musicians(Rob Brown and Sean Booth), not least because of the slow-burning progression of their career from experimental dance floor music(such as this album) to music of such cerebral complexity later in their career that some fans found it incomprehensible(the album Confield). Incunabula (the plural of the latin word incunabulum, which means in the early stages of development) finds them at a fairly accessible period, expertly mixing dance-floor ready beats with cerebral sounds and unconventional structures. Taking a cue from the minimalist art music aesthetic, Autechre gradually builds their tracks up layer by layer, over time, giving them a strange mix of surrealism and detail that no other electronic artists have quite been able to achieve. Over time, their formula has been explored, deepened, and interpolated to such an expert degree that all of their albums have rewards to be found on them if you are open to new ways of musical thinking. Incunabula lays the groundwork for all to follow, but even the groundwork is made with such skill that this is a 90's classic. Don't miss it. Incunabula on amazon

nairboman's insights #4

After getting Bob Baker's book on Guerrilla internet marketing for musicians, I have decided to try a few new things with my blog, change the format up a little and see how it goes. In a way, it is going against what I would prefer to do, but not totally, and if it doesn't go well, I will switch back to the old way. I have decided to continue with the insights weekly posts, because it keeps people interested in my music, marketing, and thoughts concerning those things, up to date. The music reviews will change now to all Electronic Music reviews from the late 60's to the present day. I would prefer to review music from as many different genres as I can, but the fact is that people interested in my music may be more interested in my thoughts and reviews on primarily electronic music, because it is the genre I make music in, myself. I will try that and see what happens and in some ways, it is a good idea even outside of marketing purposes, as it will expose people who already like my writing and music to more quality electronic music(which I think is great), and it will also help me learn even more about it and I realize that learning about your art is a lifetime experience if you truly care about it. If that goes well, I will slowly begin to incorporate some other types of music over time into the reviews. As far as the movie reviews go, I will continue them, but will only review films from the late 60's on, as many people who read the blog are probably more interested in the modern era of films, which I frankly think is a shame, considering there are as many great films from the pre-modern era as after. Again, if that goes well, I will begin to incorporate older films slowly into the reviews. If anyone has any thoughts on these decisions, please leave a comment.

Other than continuing my blog, my goals for the summer are to do a lot of the things mentioned in Bob Barker's brilliantly researched marketing books, get my music on CDbaby next month for sale, play live at clubs and events, market offline locally in my area and nearby, and contact managers, artists, d.j.'s, radio stations, and record companies to seek help and advice. Wish me luck! :)

Friday, April 13, 2012

Movie Review: The Descendants(2011)

8.5/10 It has been a full seven years since Alexander Payne blessed us with one of the best films of the last decade, Sideways. While this offering may not quite be up to that hallowed level, it is a very fine film indeed. George Clooney plays a self-absorbed Hawaiian lawyer whose life is left in shambles after a boating accident leaves his wife in a coma. But things aren't always what they seem, are they? Is the lawyer self-absorbed or just living an empty life? Was his marriage finished and he just didn't know it? Can he and his kids provide each other with the necessary support in this, their time of need? While this movie sounds like a stone cold Hallmark-style drama, it is anything but. There are myriad nuggets of humanistic comedy gold to be mined form this material, as well as an uncompromising look at contemporary family dynamics, that we can all relate to. The character development is particularly rich in this dramedy, especially considering this plot in a film hack's hands could have turned this into a piece of tripe. As it is in Payne's skilled hands, it turns into one of the most realistic and empathetic of family films. The MPAA should be ashamed of themselves for rating movies like this R simply for a smattering of "bad" language. This move is perfect for thoughtful teenagers. Highly recommended.

Music Review: Talking Heads - Remain in Light(1980)

Talking Heads is one of the most important groups in Rock history. This is obvious to anyone that has listened to their first three albums: Talking Heads 77, More Songs About Buildings and Food, and Fear of Music. Egregiously lumped in with punk rockers at the time, Talking Heads were more literate,cerebral, and diverse  than most punkers(not to say there isn't great or diverse punk rock music, because there definitely is). But it is with Remain in Light that they made an album that transcends not only the previous limitations of the band itself, but of rock music itself. This has a lot to do with the fact that their producer Brian Eno (a great artist in his own right) was finally fully integrated into the studio band, making this more of an equal collaboration than the previous two produced by him. Eno's experimental presence is sonically evident all over the record, but no more so than the group itself, who also collaborated more equally than ever before, the ipso facto leader David Byrne letting go of his tight grip on the music composition. Adding to this democratic environment are African drumming polyrhythms (beloved by Eno and Byrne) and some of the most provocative psychological-surreal lyrics ever composed (by Byrne) for a rock record (inspired in part by African literature), along with a sample, loop based approach inspired by hip hop and electronic dance music and you have the band's masterpiece. Containing the band's most popular and possibly most definitive song "Once in a Lifetime", "Remain in Light" as a whole is one of the essential purchases for the serious rock music collector.

nairboman's insights #3 - Crossroads

With the arrival of my book by Bob Baker on Guerrilla Music Marketing on the Internet, I find myself at a crossroads. I think I picked the right book to purchase on the this subject, as it covers so much ground I can't easily find all grouped together and explained clearly about on any free internet site. I have taken the next step in my marketing endeavors, but now I have to make a decision about what format to continue publishing my blog in and I need my reader's help in deciding this. The book wisely says that it would be better to concentrate on my music and my genre on my blog for marketing purposes(and in fact, I already knew that). But I do love to write about all kinds of music and all kinds of movies. Should I only talk about electronic music? I mean, I do love it and it might even be good for me and a learning experience to do a blog concentrating on electronic music. Do I separate it into two different blogs: one for general music and one for electronic? And what about movies? Do I stop reviewing movies altogether or start another separate blog for it or keep it part of the regular blog? Another factor is time. I would have more time freed up to do my marketing if I simply concentrated on electronic music and my musical and marketing endeavors to write about for my blog posts. What I also need to know is "what have I written about that you guys and gals have particularly liked reading? My insights, my movie reviews, my music reviews, certain posts?". Please share your thoughts with me about this. Next month I officially release my music through CDbaby, and after I do that, I will be working 6 hours a day on my marketing 5 days a week, but I still might fairly easily have time to publish the same blog with the same amount of content. Tell me what you think about it. :) Bob Baker site

Saturday, April 7, 2012

Movie Review: Reds(1981)



10/10 Reds is Warren Beatty's masterpiece. As a director, he has only four films under his belt, but Reds easily trumps the other three  in seriousness, substance, and importance. It concerns the early 20th century journalist/radical revolutionary John Reed and his various relationships and dealings in politics. Reed (Beatty) was a converted socialist who believed that he could make a difference with his journalism and his direct involvement in party politics in both the U.S. and Bolshevik Russia and he was right. His book Ten Days That Shook the World is a classic in political journalism and his direct involvement in the U.S. and Russian socialist parties was ambitious and sincere. This film was obviously a labor of love for Beatty and it shows in every frame on the screen. Only someone obsessively fascinated with this story could have made a film this detailed and emotionally satisfying. At over three hours, never does it feel obligatory or boring. Interspersed with the fictionalization of the story are various short reminiscences of people who knew John Reed personally, and this adds gravity and humanism to an already humanistic story. But as John Reed travels the road of socialism to its logical conclusion in communist Russia, he eventually finds that the authoritarian system there is as insidious and malicious as the capitalism in his native land. Diane Keaton is just as impressive in her role as Reed's wife Louise Bryant, ever suffering and ever caring. Jack Nicholson is strangely enough perfectly suited to the role of  famous playwright Eugene O' Neil, onetime paramour of Bryant and friend of the Reed's. This is a film that almost certainly would not get made today, with the intense vilification of  Socialism in America since even before this film was made. It is, in fact, something of a miracle this film even got made at the time that it did. It treats the subject of socialism fairly and sympathetically while at the same time recognizing that authoritarian systems of all kind, whatever the name, are corrupt by nature. This film is something to be admired and treasured and deserves its place in the world film canon. Essential!

Friday, April 6, 2012

Music Review: Claude Debussy - Prélude à l'après-midi d'un faune and La Mer



Claude Debussy was one of the most innovative composers bridging the nineteenth and twentieth centuries, effectively marking the transition from romanticism to modernism. His music is sensuous and beautiful, while at the same time straying far outside the bounds of traditional harmony, the combination of the two aesthetics demonstrating an elusive, dreamy quality heretofore unknown in art music. Prélude à l'après-midi d'un faune, otherwise known in English as Prelude to the Afternoon of a Faun, was based on an erotic poem by Stephane Mallarme, and is sometimes viewed as a Tone Poem, though it's subtly interweaving, free form textures do not conform to anyone's idea of a story set to music. What it seems to attempt to do instead is to evoke an atmosphere, an environment, in which the listener is invited to lose themselves in a hazy cloud of blurring tonalities and the impression of a lovely afternoon in the forest, amongst the pleasures of nature. In fact, Debussy's music was often labeled impressionism because it seemed to impress images and scenes upon the listener, rather than explicitly evoke them. La Mer is a three part orchestral composition essaying the mysteries, joys, and turbulence of the sea. Debussy here pulls out all the orchestral stops, as he had an intense identification with and admiration of the sea. La Mer's lulls and intensities can seduce any listener into instantly falling in love with the sea, even if they have never seen it, as Debussy hadn't when he started writing it. Although it is not a form of exact programme music, it, like Prelude... before it, is a masterpiece of impressionism. La Mer suggests the sea, the waves, a storm, so masterfully that one sometimes feels as if they were actually experiencing them somehow, while listening. Debussy was one of the most important composers that beget the experimentalism of the 20th century, while still being considered a mainstream composer.

nairboman's insights #2


Above is a video of mine I made a few months ago for my track Acid Trax. The video is minimalist in style and so is the song, really. I didn't have a lot of resources at the time to make a video with any kind of budget. This one was simply made with a photograph I took of myself and then my girlfriend Heather Campbell used a graphics program online to change it to black and white/distorted and we used windows movie maker to make the video of it. It is definitely my goal to make higher quality videos in the future, but I think the videos I made(with my gf's help) are kind of hypnotic in and of themselves. All 5 of them can be viewed here.

I wish I had more to say about my marketing endeavors right now, but the fact is that it has all been internet marketing so far and internet marketing isn't the most exciting thing to talk about. It's basically making profiles and adding content to sites that can help you spread the word about your art. I recently ordered a book by the famous music and book marketing guru Bob Baker about internet marketing. I have been using a book by Catherine Parker about social media marketing and it has been very helpful as well, but I'm hoping that Baker's book will be even more helpful considering it is specifically for music marketing.

Of course, I also wanna do local marketing this month including business cards, flyers, and playing music for folks in public areas, but being low on money might become a problem, though I'm hoping not. Luckily, these things on my list to do are pretty cheap. In May, when my music is finally published through CDbaby, I also want to make it a point to contact more people in the industry, such as artists, managers, D.J.'s, record companies, and possible benefactors(volunteer personal financiers). The fact of the matter is that while I like marketing my music better than any job I've had before(because I confidently believe in my music's value), I would rather be doing creative work and accordingly, would rather someone else do most of the marketing work, so hopefully I can get a manager to help do this eventually, so I can concentrate on more creative endeavors. If you have any suggestions about marketing or any of the things I mention, please leave a comment. I welcome them.

Friday, March 30, 2012

Movie Review: The Social Network(2010)

9.5/10 The Social Network may or may not become the modern classic that previous David Fincher films such as Seven and Fight Club did, but at least for now, it remains an essential viewing experience for understanding not only modern communication, but also modern business. It concerns the seemingly sudden rise of genuis computer whiz Mark Zuckerberg onto the world stage by being the ipso facto creator of the society-changing website Facebook.com. But what it is really about is Zuckerberg's ambivalent personality and character. Adapted from the book The Accidental Billionaires, The Social Network is more of a character study than anything else: Jesse Eisenberg's Zuckerberg is teeming with ambition, brilliance, and leadership qualities, but a vile pettiness and selfishness undercuts nearly every single achievement he accomplishes in the film. Of course he's not the only one: the opportunistic Winklevoss twins claim he stole their idea, and Napster creator Sean Parker comes off as perhaps the slimiest of all the characters, riding the coattails of Zuckerberg  for all the money, sex, and drugs he can get. The only ethically sound guy in the whole enterprise is Zuckerberg's best friend Eduardo Saverin(perhaps not coincidentally a consultant on the book), who gets so royally screwed over by Zuckerberg that we feel the same catharsis as he does when he smashes his "friend's" computer to the floor. And yet, Zuckerberg's thorny pretensions are something to behold and at the end, we even feel a little sorry for him. It's important to note that Aaron Sorkin, the writer of the film, has made no secret about the fact that some of the material is blatantly false and full of what great director Werner Herzog might call "ecstatic truth". In other words, this film isn't necessarily about the events depicted themselves, but about what they mean. Do you have to be this selfish to be this brilliant? Do you have to be this ruthless to be this successful? and finally.... Have we all been brainwashed into joining the biggest social club in the world, created by an asocial genuis? and if so, What does that mean for society? These and many important contemporary issues are addressed in this brilliant film. It may not be worth owning unless you are a big Fincher or Sorkin fan, but it is a must-see for everyone. Get it at Redbox. 5WW4M8EZPFWY

Music Review: The Secret Museum of Mankind series(8 albums)

So, what is an Electronic Musician doing reviewing acoustic ethnic music from around the globe, all recorded from the 20s to the 40s? The answer is simple: great music is great music. Genres are really just labels, nothing more. Music is the art of sounds, harmonies, melodies, rhythms, cultures, individuals ,and ideas and if you are at all interested in traditional music of the world outside of the U.S. and U.K(and you should be)made before western pop music infiltrated much of the world, then this series is a treasure trove of sparkling gems. Every single one of the albums is filled to the brim with short pieces ranging from dance music(like the Romanian song above in the video) to virtuoso instrumental pieces to art music to folk songs and more. Sometimes, a stray western track pops up from time to time as a reminder that ethnic music also includes western music, but for the most part, this series concentrates on African, European, Asian, Latin, and other non-western countries. 3 of the discs offer music from specific areas, namely Eastern Africa, Northern Africa, and Central Asia and they are all terrific as well.  To someone unaccustomed to music outside of the west, much of this music will sound strange indeed, but this is a good thing, as it exposes them to music that will challenge their ideas about the possibilities and the realities of global music culture. Sadly, much of the traditions that led to the creation of this music are being lost as our global culture assimilates and disposes of traditional musics made before industrial music production started taking over global culture in the 50's. These seem to be mostly field recordings from a bygone era, clouded in mist and legend, even as you listen to them. In other words, these are recordings to treasure and hold onto the rest of your life.
The Secret Museum of Mankind series on Amazon

nairboman's insights #1

At the beginning of the year, I decided it was time to try to actually make some money with something I have done creatively, which I think is one of the most noble ways to earn a living. We are all creative at something, because creativity is a part of our nature. Einstein famously said "Imagination is more important than knowledge". The multinational corporations would like to stifle much of our individualistic creativity and convince us that the lifestyle we lead should be based on a generic monotony of familial repetition. It's no accident that franchise fast food "restaurants" and convenience stores almost all look the same, wherever you happen to go. This is part of their coercion.

Small businesses are disappearing across the land and I, for one, am saddened by this development. It means that independent variety and creativity are slowly dying in the marketplace. Corporations depend on a numbing sameness that they might call Branding and while they may have a lot of creative people working for them, the ultimate goal for them is to make their shareholders happy, not their creative artists, and even less so their "hands on" workers.

Next month, I will try marketing my music more locally. So far, I am making good progress marketing on the internet. My facebook, twitter, soundcloud, youtube, reverbnation, and blog are all experiencing continual growth. But marketing my Electronic Music locally in a conservative midwestern small town like the one I live in(Moberly, Mo., about 14,000) may not be so easy, but then again I believe people are by nature open minded. It's just that our social and corporate culture tends to grind some down into having "boxed in" taste in art and music. I have the feeling it wasn't always this way. Did people from 75-100 years ago only like specific genres mostly or were they more open to variety? I wonder.

Friday, March 23, 2012

My Philosophy on Art, Culture, and Life

I thought I would take this opportunity to discuss my basic philosophy concerning art, culture, and life. By doing this, you will understand me and my worldview far more than a simple short bio might provide and I don't like to discuss my private life in depth in a public forum anyway.

Let's start with art. Art seems to be a necessity in human culture. It, along with with philosophy (focused ideas) and science are the elements which seem to separate us from the other animals on the planet. We still have a lot of the same desires, urges, and instincts as other animals, but only we seem to have what could be termed the imagination impulse, the need to express ourselves creatively with our imagination. This naturally takes myriad forms: painting, writing, music, cinema, photography, the list seems as limitless as human imagination itself. Yet, what separates quality art from mediocre or bad art? This is an eternal question that everyone has their own answers for. Many people that are highly influenced by mass media marketing may not even consider the question relevant, but this is a mistake if we are to ever maintain a healthy, progressive artistic culture. For me, any important art, whatever the type, contains a good amount of at least 1 of these 3 qualities: originality, intelligence, and substance. By originality, I simply mean something that isn't substantially tied to traditions that have ensconced themselves in the culture. Originality is the defining feature of many of the most visionary artists, as they choose to take the road less traveled(as the poet Robert Frost put it), or tread an entirely new path altogether. Examples of these types of artists include  painter Pablo Picasso, filmmaker Stanley Kubrick, author James Joyce, and musician Aphex Twin. Intelligence in art is a controversial issue, not the least part of which is the question "how do you qualify the term?". Does it mean complexity, cerebral or progressive features, or simply having an academic or studied affect? You could include all of those ideas and more if so desired , but to me, it's a bit simpler than all that: it simply means art which stimulates thought and consideration as much or more than it does emotionalism. Not to say that emotionalism isn't an important aspect of art, because it certainly is and in fact can and often does exist concurrently with the intelligent aspects of it. Yet, it is certainly easier and some might even say shallower to evoke emotions in art without including much, if any, intelligent aspects. Musical artists like Mozart, The Velvet Underground, and John Coltrane, to name some of the most prominent, were able to mix emotionalism and intelligence in their art in a masterful way, as were the artists mentioned previously. In fact, originality and intelligence often go hand in hand in some of the best art. And now we come to substance, which is just as elusive a term as intelligence when it comes to art, perhaps more so. What is substantive art? Is it just another term to stand in for originality and intelligence? Does it simple mean art which will endure, or is it simply the direct opposite of style? Well, yes and no. Originality and intelligence can be important aspects of substance in art, but substance can go above and beyond them. Does much substantive art endure and be returned to after decades or even centuries after it was created? Yes, but not all of it does. Is it the opposite of style? In a shallow way, you could define it as that, even though much style is substantive in its own right. Substance in art is synonymous with the value and meaningfulness in it and can  take on many shapes, whether it be aesthetic, intellectual, emotional, psychological, metaphorical, technological, or any other number of others. The important thing about substance in art is that it is an attempt by the artist to provide valuable and meaningful insight into what effects and defines individuals and cultures at a certain point(s) in time. Sometimes these insights are not always pleasant, and shine a critical light on those subjects such as the 70's film Taxi Driver directed by Martin Scorsese and the classic novel Don Quixote by Miguel De Cervantes(though with Don Quixote, while the insights aren't always pleasant, the prose and story almost always are). Taxi Driver is both a critique of the culture of the Vietnam War and of American urban society following that war and how they have an effect on one particular individual. Don Quixote is a paradoxical novel as it critiques both romantic adventure novels and a society which is bereft of romantic ideals and it is perhaps the paradox itself that is the most meaningful aspect of it. One might ask how painting and music(especially instrumental music) can have the same kind of substance as they are somewhat more abstract art forms compared to storytelling. Yet, it is in the very abstract aspects of them that the meaningfulness lies: a painting or a piece of instrumental music (obviously lyrics in music make it less abstract) can tell you a lot about the cultural, aesthetic, and individual values that produced it. For example, listen to an album of jazz music from the 30's and one from today and while you will notice basic similarities, you will notice differences too, sometimes many. These differences tell you how much the culture of jazz has changed aesthetically but they will also tell you how it(and the society it was produced in)has changed technologically, perhaps even psychologically, emotionally, and intellectually, and what values the individual artist has, as well, concerning those things from each era. The value and meaning of painting(visual arts)and music are more challenging to discern than storytelling, but it is their very abstract nature that makes them so endlessly fascinating.

Which brings us to culture: what is culture? Though there are many definitions out there, it seems to me that culture is the elements which influence and define society: everything from art to politics to sports to philosophy to (unfortunately) corporations. Culture is the amalgamation of all of these elements and more which make up society. There are basically two ways to approach culture: one way is to study it objectively and another is to look at it critically. Both are valid. As long as there have been groups of people organizing society together, culture has existed. In fact, society is literally built on the culture underneath it. In groups of people, ideas form individually(though often built up from or added to other ideas), ideas become words, words become actions, actions become norms. And then norms either stick around a long time or a relatively short time depending on the proceeding stasis or change in the element(s) of culture that maintains the specific norms. And of course, there are subcultures, which are types of culture usually maintained by relatively smaller groups of people as a reaction to and/or as a direct alternative to mainstream culture. As far as what constitutes good or bad culture, it is a very controversial subject. For me, a staunch anti-authoritarian, I see government, religion, and corporations as institutions which have helped build up our now massive global village, but that will eventually at some point in our social and cultural evolution, need to be left behind(at least in the way they exist today), much as a child eventually grows up and leaves their parents to make their own way. Obviously, this seems to be far from now. The Corporation(documentary)

Ah, Life. We finally come to ye. How do I approach the subject of life? To understand that, you have to understand 3 of the aspects which probably define my life the most: introversion, anti-authoritarianism and for lack of a better word, idleness. Truth be told, I am not a "highly" introverted person, more like "weakly" introverted, as I only need about 60% of my time alone, but I do cherish it.  Extroverts make up the majority of the population and this is as much a result of culture as it is "naturalness", for the highly systematized society in which we now live depends on extroversion to keep it going. If most people weren't taught from a very young age to be extroverted, we would not have an industrial society that depends on the extroverted qualities of materialism, greed, and consumerism to thrive. Introverts tend to get energized and be more comfortable when alone(or with a few good friends), are less attention seeking, and perhaps think more about the nature and meaning of society and how to fit into it doing what they want to, instead of becoming a cog in its machine or using the other cogs to get rich. Extroverts tend to get energized and be more comfortable when around other people (including strangers and groups), are more attention seeking, and perhaps think less about the nature and meaning of society, preferring instead to fit in with the "normal" customs and expectations of mainstream society(e.g. the striving for money, power, status, possessions).  Scientists, Philosophers and  Artists of all types tend to be introverted. Politicians, Athletes, and Businesspeople tend to be extroverted. These are generalities: there are of course always exceptions(considering we almost all have both sides to us in varying degrees, and in fact, when I speak of introverts and extroverts, I am including those who fall in the middle -most of us - but favor one or the other type to a degree). http://en.wikipedia.org/wiki/Extraversion_and_introversion I am a natural anti-authoritarian and am staunchly against the misuse and abuse of authoritarian government, religion, and industry, as well as individual authoritarian features such as aggressiveness, exploitation, and serious(e.g. non-playful)competitiveness. By idleness, I don't mean simple laziness, though at times that can be very enjoyable too. What I mean by idleness is the deliberate lifestyle of doing what you enjoy doing for most hours of the day, whatever that may be. If we cannot enjoy most of the hours of our lives due to so-called social responsibilities, then are our lives really meaningful? In other words, be creative, have fun, be comfortable. If you are stuck at a job you hate with a spouse you no longer love, you aren't being very responsible to yourself and if you can't be responsible to yourself, can you hope to be with others? Some things to think about. http://www.idler.co.uk/

Normally, my posts will not be this long, but I thought it was a good idea to outline my philosophy about the subjects I will be discussing in my blog posts. Starting next week, I will start my regular blogs concerning my life, my music, and reviews of albums and movies. Cheers!

Monday, March 19, 2012

Nice to Meet You...

Hmm, my first blog post ever. What to put? I guess introductions are in order. My name is Brian Lackey from Moberly, Mo. I am an aspiring Electronic Musician who is hoping to meet some new people, discover some cool blogs, and to be honest, attract some people to my blog and my music. I will be posting about my life, my work, and my love of the arts, particularly movies, music, and literature. I have very eclectic tastes in all 3.

For those of you familiar with Electronic Music, my music could be labeled as variously IDM, Experimental Electronic, and/or Electronic Dance, at least as of now. For those of you not very familiar with Electronic Music, but curious, I highly recommend this list...http://www.listology.com/enigmazach/list/200-greatest-electronicdance-albums. Go to http://grooveshark.com/ from there(most of the albums should be there for free listening) or your preferred music listening website.  I am more than sure that I will release albums in the future under completely different styles within the general framework of Electronic Music. To get a taste of my music, simply type nairboman or nairbomanmusic into Google or go to http://www.wix.com/nairbomanmusic/nairboman, my official website.

Yet, I am not only here to market myself, but to revel in the joy of creative writing and to see what I think about the experience of blogging. If you have any comments or suggestions, please feel free to tell me. I have always been a writer, and have written stories, essays, poetry, and non-fiction for my own pleasure, but I got burnt out on it for awhile, and hope to get back into it eventually.

I also have the ambition to become a movie writer and director and have made some amateur films in the past.

For now, though, professionally, my goal is to market and sell my first(double) album Here We Go..., which will be released in download form through CDbaby in May through its own site and various online stores including Amazon, with a physical CD release hopefully soon thereafter.  I hope you will give some of my music a listen and tell me what you think of it.

I will be posting two or three times a week for now, most likely all on Fridays(as I am busy marketing my music the rest of the week), but possibly more in the future. I will be blogging more in future posts about the personal details of my past and present life, what inspires me musically, my music itself and the marketing that goes along with it, as well as reviews of movies and music and occasionally literature(it takes a while to read a book after all...lol). I hope you will find my posts enjoyable, entertaining, and informative. I hope you like my music too. :) Cheers!